2012 Golden Globe Awards: Winners List

She ends up being the girlfriend of a black student at her high school, who seems to be a decent kid. Eventually they have sex, and although her father doesn't know that yet, he exhibits HIS racism by telling her she can't see him any m


The second act shifts gears and while gory, is extremely funny. It was a wierd feeling being jerked from extreme violence directly to hysterical comedy and back again, but it worked. There was a friend who showed up about halfway through this part of the film who was absolutely hysterical, acting oblivious to what's happened and caring only about the party planned for that evening and the possibility of hooking up. The third act then shifts back to a more serious tone. One of the things I enjoyed about the approach was that I really didn't know what was going to happen next or where the film was go


Also appearing later in the Film festival Games patch notes|https://moviefestivalhub.com/ (although his expletive-laced voice is heard early on) is Ralph Fiennes as the man who is in charge of telling them who they need to kill and when. Fiennes did a great job in the role with an intensity that would unleash itself with great ferocity. I also enjoyed both Colin Farrell and Brendan Gleeson. Gleeson was just peaceful to watch, if that makes any sense, and Farrell was the polar, manic opposite. His face was a rubber mask of expressions that was very entertaining to


Other notable wins in the film category were Meryl Streep as Best Actress (drama) for portrayal as Margaret Thatcher in The Iron Lady , Best Actress (comedy or musical) Michelle Williams for My Weekend With Marilyn and Octavia Spencer for Best Supporting Actress in The He


You can look at Towelhead from a couple of different angles, but as the parent of an 11 year old daughter, I look at it as a cautionary tale of exposing kids to sexual images too early, and not being a father that they can turn to for advice and comfort instead of whatever guys is availa


One night she leaves home, leaving nothing more than a note for Albert stating that she is going to stay with friends in Baltimore. Instead she heads off to meet Louis, and their initial meeting, now in the real world seems awkw


There was a short film before the main feature called Little Farm which was shot in only 48 hours. Given that constraint it wasn't bad, except for the fact the two of the three main characters gave pretty close to the worst performances I've ever seen on screen. Aside from that, although it was pretty strange, in the end it delivered some pretty good scares. I actually had a woman sitting next to me ask if that was the main feature.


There were also many very funny moments in the film including one scene where Farrell decks a guy he thinks is an American and right afterwards says: "That's for John Lennon." But then part way through the movie the tone changes abruptly into a much darker and tragic mode. Humor is still sprinkled throughout after this turn, but when you laugh at this point it's almost more like nervous laughter, just to release the tension of what you're watch


Like many films shown at Sundance this year, Towelhead combined different styles (humor and drama), but does it more successfully than most. It's the story of a thirteen year old girl who is half Lebanese / half WASP whose physical development is quite ahead of her age. Towelhead (aka Nothing is Private) was written, directed and produced by Alan Ball , the same fellow who wrote the screenplay for the similarly themed American Beauty a few years

Whether you feel Mad Max: Fury Road is vastly overrated or worthy of the praise that it has received during the awards season thus far, there's no denying that the film manages to impress simply from a directorial perspective. George Miller spent years fine-tuning the movie's action-driven plot and visual design; as a result, Fury Road feels surprisingly intimate for a movie that was made on a nine-figure budget and features nearly as many car crashes/explosions as it does lines of dialogue. That's quite the accomplishment, on its


Alejandro González Iñárritu's Birdman or (The Unexpected Virtue of Ignorance) won Best Director at the 2015 Academy Awards, but Iñárritu was only recognized for his contributions to the film's script, not his direction, at the Golden Globes that year. The Revenant was in many ways an equally ambitious undertaking by the filmmaker, but because the western revenge thriller isn't generating the same buzz as Birdman , Iñárritu's winning for The Revenant would be somewhat unexpected - even after the HFPA didn't recognized his directorial work on Birdman last y


Spotlight , as mentioned before, is the current front-runner in the Best Drama category - and though the film is well-directed, arguably the screenwriting and performances are its strongest elements. Both Sorkin and Tarantino are revered screenwriters who have been honored by the HFPA in the past and in turn present strong competition, but neither Steve Jobs nor Hateful Eight are widely regarded as being as inventive from a storytelling perspective as some of their previous w